Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Johannes Deiker
Schwarzer Setter apportiert Hasen in winterlicher Landschaft

ID: 94103

Johannes Deiker Schwarzer Setter apportiert Hasen in winterlicher Landschaft
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Johannes Deiker Schwarzer Setter apportiert Hasen in winterlicher Landschaft


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Johannes Deiker

painted Schwarzer Setter apportiert Hasen in winterlicher Landschaft in 1886 1822-1895  Related Paintings of Johannes Deiker :. | Portrait of artist-s Wife | Kaaterskill Falls (mk13) | Sandbanks on the Loire | Raeburn portrait of Alasdair Ranaldson MacDonell of Glengarry | Niagara Falls |
Related Artists:
Madeleine Lemaire
French 1845-1928
Mura, Francesco de
Italian, 1696-1782 Italian painter. He was educated initially in the workshop of Domenico Viola at Naples, but in 1708 he entered the school of Francesco Solimena, whose favourite pupil and most trusted collaborator he became. At first he followed closely Solimena's monumental Baroque manner, as in the frescoes (1715) in S Nicola alla Carit? in Naples, but later developed a more controlled and refined style of rhythmical lines, light and airy colours and delicate psychological overtones. He employed this new style in his ten canvases of the Virtues and his vast Adoration of the Magi (all 1728; Naples, S Maria Donnaromita) and, above all, in his frescoes of the Adoration of the Magi in the apsidal dome of the church of the Nunziatella, Naples (1732; in situ). De Mura was also active as a portrait painter; his Portrait of the Artist's Wife
Adam Elsheimer
1578-1610 German Adam Elsheimer Locations German painter, printmaker and draughtsman, active in Italy. His small paintings on copper established him after his brief life as the most singular and influential German artist to follow Derer. Their grand conception in terms of monumental figures and poetic landscape and their meticulous, miniature-like execution were admired by Rubens and came to influence many 17th-century artists, including Rembrandt. Most were produced in Rome after 1600: the limits of this oeuvre and its chronology are extremely hard to establish.






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